Showing posts with label Viacom. Show all posts
Showing posts with label Viacom. Show all posts

Monday, February 20, 2017

Viacom Viacan't: Regressive corporate strategies in entertainment media


This just in, Viacom invents time-machine, gets stuck in 2005. 

Viacom CEO Bob Bakish has announced that some Viacom programming, most notably so far The Daily Show and @Midnight, along with The Colbert Report and Tosh.suck, will no longer be available on streaming services such as Hulu.  Now, to someone who reached the zenith of their professional career in 1998, this kind of strategy makes sense because they never bothered to learn how cord cutters worked or what kind of market they will inevitably create.  The reason is that there was no such thing as a cord-cutter in 1998, and people still had subscriptions to AOL dialup internet service.  If 1998 were a person, they'd be old enough to drink in most countries, and could have voted in the last election.  It seems obvious that  applying the same corporate strategy from that era, or even from something like 2005 is a bad idea since they would be woefully outdated, but that doesn't usually occur to the entity that is the CEO (they're not people).  Enter the long suffering baby boomer executive who knows exactly how to market and design pull-strategies for other baby boomers sitting on folding chairs in Boca Raton just waiting around for their prostates to swell up to the size of a soccer ball and complain about how the waitress at Applebee's (who is working her way through medical school) is part of a super self-centered generation that "fails to adapt" while making their grand-kids check their email on their phone for them because they're "too old" to learn that new-fangled technology ...technology that's been around since 1971   Yet for some reason this same baby boomer executive is somehow surprised that the same strategies that work on boomers, somehow don't work on this product of society they've invented which they call "Millennials."



No, old TV guy, I am not going to go sign up at Time Warner or Comcast (two companies that have about the same approval rate as the Nazi Party, or worse, Electronic Arts), just so I can watch one show or another which I could easily pirate, and mostly pirate out of spite at this point.  Not only is this another confirmation of the downright uselessness of "The CEO" as a concept, but how they are now a downright malignancy to otherwise healthy and sustainable companies, dragging them down like the world's most expensive boat anchor.


Some could argue that the only function of a CEO is to make sure investors stay comfortable paying the corporation's allowance, which would only be a salient argument if their ability to run the place into the ground through complete ignoramical idiocy wasn't so palpable. When police make some little kid with cancer a member of the SWAT team for the day, it makes for great PR, but even they are smart enough to know he's just a mascot and shouldn't be given an AR-15. CEOs surround them with environments they feel comfortable in.  In modern America, your environment is a commodity to be purchased.  Don't have a lot of money?  Enjoy the one that comes with life in a trailer-park and a job that probably involved a blue vest, khaki pants, a time-clock, and the need to look at your odometer to see if your car needs an oil change, or make a decision between paying your phone bill and getting a haircut.  Have a shitload of money?  Congratulations, you will never ever have to know what it's like to wash your own dishes or wait for something to go on sale before you can buy it.  But if you are a CEO there is definitely one specific type of environment you are going to buy.  One where you will never be exposed to the word "no."  You'll love it in there.  Surrounded by people getting paid barely enough to make their rent who are going to be so terrified of putting you in a negative emotional state, that they'd skip their own funeral to make sure you have enough of that stationary you like.  Wearing even the most luxurious blinders still means you have every chance of getting t-boned when your confidence is a product of an echo chamber.  Don't believe me?  Do you think Jar Jar Binks would exist at all if The Phantom Menace was George Lucas's first or second movie?  Yeah, someone would have told him "no George, that's not a good idea," but now he bought himself an ecosystem where that will never ever happen.

The end result is that people in these outdated power positions end up having an outdated idea of how things work, and do not stay current with changes that effect their own industry.  This problem sustains itself because they live in a world where absolutely no one is going to make them address those shortcomings either.  They just stop knowing how stuff works because said "stuff" has significantly changed.  Stuff like TV viewing.  TV doesn't work the way it used to, even as recently as 5-10 years ago.  I don't need Animal Planet, the Home Shopping Network, or a whole bunch of other channels that air too much fake reality house hunting shows or make me watch even one second of any Guy Fieri or Rachel Ray (yuck).  If History Channel is going to make a show about alligator murder then I really don't need to pay for that, because it's not a product I really want to buy (although alligator tastes good by the way, if you want some I got a guy.  You want alligator meat I can get you alligator meat by 3oclock). 

Om nom nom

This isn't going to cost Viacom much money at all.  Remember this is the company that invented the concept of deliberately not paying freelancers being counted as a viable revenue stream.  On paper, from an accounting perspective, pulling programming is mostly innocuous.  Entertainment media isn't really a tangible commodity, so limiting it's availability isn't really going to drive the price up, that only works with Game of Thrones and Disney movies (come on home where your video's waiting).  But those same intangible assets are what are going to take the hit.  Goodwill (let's be clear, Viacom has no goodwill and doesn't need it, but the shows themselves, as individual brands have tons and more importantly their success depends on having it).  Properties like that are going to take a straight kick in the nards once people who pay for streaming services all of a sudden can't get what they previously could get.  It's not that something just isn't coming to streaming services, it's that something is being taken away (huge difference).  That kind of thing makes people angry, and angry people won't give a shit if pirating something hurts Summer Redstone's ability to buy another yacht to get to his bigger yacht on his private island which is made of even bigger yachts all tied together.

I couldn't find an image of a yacht going to an island made of bigger yachts tied together so...


There's a light, over at the Amazon place.
Thankfully Amazon seems to be doing the opposite of this.  Bolstered by the popularity of the New Top Gear I mean The Grand Tour, they have announced they really want to be the big fish when it comes to entertainment media streaming.  And you know what?  That's fine, that's great, you go for it.  I remember in the days of VHS you paid money to rent the things, so paying a small amount to watch something you want to watch (but now you don't even have to leave the house) isn't such a weird concept.  Jeez I have a premium Crunchyroll subscription and I'm only following 3 shows.  Don't be a friggin idiot you people, Crunchyroll Premium is a great value.  ...Hey Crunchyroll, open an NYC office and hire me, I'll make your dreams come true.  I filmed you guys for a!Pon in Tokyo and you don't owe me anything but, BUT, you can pretend that you do.  See how easy that was?  Yeah.  Just re-imagine that in the Rick Sanchez voice and it sounds way better.

Anyway, Amazon's streaming service is mostly cool.  But the downsidessesseses be that they rarely have things that Netflix doesn't have (High Man in the Castle isn't really that great) and their user interface could use a lot of work.  But those two things are fixable.  There's nothing that's fundamentally wrong in the DNA of Amazon's streaming that would make it impossible to like for the majority of consumers. If they have done anything it's that it has proven that perseverance and sticking to your guns can still be a viable business strategy even if every finance major from here to Bangalore is only capable of thinking a maximum of 5 quarters into the future.  Oh, and they use wage-slaves.  Lots and lots of wage-slaves.  But, that's not gonna stop you from logging in and ordering the next time you need new underpants or whatever Danganronpa figure you happen to really really like.



Did... did I have a point?  Oh yea, cord-cutters are not going to jump ship and sign up for Direct TV or Satan-Serve or whatever  just because any show or even every show is no longer available on streaming services.  No Optimum, I don't care if I can still remember every word from your TV ads from 10 years ago, it's not gonna happen).  Things like Network Decay/Channel Drift have become so prevalent and intense in their ability to devalue content providers, that the required willingness to pay among media consumers has withered and become a most fragile thing.

I mentioned it really recently that cord-cutters are heavy on certain demographic metrics, more-so than telecom/cable/satellite customers as a whole.  Than which means that certain types of properties are going to be more of a draw than others, certain advertisers are going to have more success, and they are mostly what old people would call "tech-savvy," you know, like your Aunt when she found out you knew enough html to change the font on your eBay listings and then thought you could repair her printer.  That means that finding the show online is going to happen one way or another, and you, Mr. Entertainment Company Executive gotta deal with it.  Mimeograph manufacturers got fucked by Xerox, that pesky horseless carriage put farriers out of business, and RCA isn't making many record players anymore, so if you want to succeed, put your ego in check, realize that the massive amounts of knowledge you've built is going to lose its value at the same rate as bananas go bad, and get your shit together and keep up with "the now" as they used to say. 

Of course not.

I think that much like Verizon lately realizing that not offering "unlimited" data is a bad idea, Viacom is going to look around in a few months and be all like "oops" and then you will be able to see The Daily Show on Hulu again.


Wednesday, January 18, 2017

Laxatives and Turnstiles: Long hiatuses and cable TV paywalls hurting good shows.

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Is that you Mr. Poopybutthole?  It's me, Margret; Are we not doing "Phrasing" anymore?

Oh we are getting into some stuff.

If there is one thing Mr. Poopybutthole has shown himself to be, it's honest.  And so when rumblings of the potential "a year and a half, maybe longer" thing might not be so "longer" after all, Rick and Morty fans were quite enthused.  Well, so much for that.  With America about to be controlled by a hairpiece-wearing human-shaped condom, full of a combination of manure from the Four Horses of the Apocalypse and melted Creamsicle, we are needing all the laughs and meta-humor we can get, and they can't even figure out when the show is coming out although it's been 17 months since Mr. Poopybutthole said the words "a year and a half, maybe longer" to the audience.  We're now in "maybe longer" territory because there's no way the thing is coming out in just the next few weeks.

And what is the sinister force behind all this?  Well, you can argue about production setbacks but I think any setbacks that do exist are the result of Viacom executives not liking something and demanding changes.  Lets not forget that Viacom executives are the ones who kicked Legend of Korra off the air because Korrasami became a thing.  They're also wise to the South Park strategy of getting things in just under the wire, which then can't be altered because of deadline constraints. But you really can't do that with Rick and Morty so it's possible they are demanding to see the entire season before green-lighting anything.   Whoever is calling the shots over there is probably such a fossil that they are still using a Blackberry (and they're mad that their daughter is in college and going through, "the phase," so now everyone has to suffer).  But then again, this could have been a minor delay which caused real scheduling issues, and sometimes if you miss a window for a time-slot, the next one isn't just gonna show up right away.  I've been around enough to know that it's probably both that are happening.


Cancel that show!  No animated lesbians!  We're gonna make America Great Again!


Above is just half of the kick in the nuts though.  The other ball is getting slammed by the fact shows like Archer and It's Always Sunny in Philadelphia are getting punted over to FXX as well as their continued absence from most streaming services in terms of recent episodes (except the FXX website itself).  Additionally, it seems as if everyone involved in the creation and making of Archer in particular is intent on killing the show as hard as they can without actually canceling it. 

In addition to a delivery method and schedule that would be right at home in 2005, the show-runners themselves seem to think that pouring the main cast into a jar, shaking it up and then painting spiral pictures while on LSD which have patterns that only really make sense to them, is a great way to develop a show going into an 8th season.  It's kind of obvious that this whole season 8 is going to be some sort of coma-dream that Archer is having because of the way he ended up at the end season 7 (way to phone it in guys), and it might be that he's somehow reliving Woodhouse's life and we might actually see a loose end or two tied up for once, but I am not gonna count on it.  Conceptually, sticking a reset-button into a show as a plot device isn't a bad thing, it works great for Higurashi When They Cry, but that was built-in from the beginning, not smashed into an existing potentially incompatible template, because some creative type had an existential crisis and needs "new directions" and shit.  Just keep doing what you're doing, cash your giant check, and shut the fuck up.  The desire to just take your show in a "new direction" for your artistic needs or whatever shows contempt for an audience that made the show valuable in the first place.  It's not impossible to do, but it's easy to fuck up.  Audiences don't like being fucked with, especially when it comes to something like a plot-point regarding the identity of a main character's parentage.  Might want to talk to Matt Stone and Trey Parker about what happens when you do that.
TV never learns until it's taught a lesson. Remember that South Park cliffhanger that was supposed to reveal Cartman's dad? Remember how the show played April Fool and substituted the scatological Terrance and Phillip cartoon? Fans rioted. Some jumped ship and never came back. The lesson: Pay off our expectations, or you'll be sorry. Just because one show jumps off a cliff doesn't mean everybody has to do it.
 -July 13, 2000, By DIANE WERTS Newsday
This is still true.  Much like "Brevity is the soul of wit" and "drinking mercury will kill you" some things just stay true no matter how old they get.

Cord-cutters aren't a large percentage of TV viewers as a whole right now, but there are two important things about them that TV executives are going to ignore; #1 they are disproportionate in terms of their age and tastes in pop-culture/media entertainment, so a certain kind of advertiser is going to find value in targeting them, and #2 that's going to mean certain shows will have not only a higher demand to be available on other internet services, but an audience with both the know-how and willingness to seek out unlicensed sources because fuck you Time Warner I don't need Animal Planet, The Hallmark Channel, and 7 different ESPNs just to watch the like... five shows I wanna see - it's Torrent time!  Actually, I know a few people with full cable accounts so I just use their login info to watch shit straight from the website.  Remember when TV show websites didn't do that?  Ah, to be an early adopter.  Human nature works against agents of change in these situations because people rarely have lasting memories of instances in which things improved, but they will take the indelible memories of the times when things got even the slightest bit worse all the way to their grave.



Remember when she was ugly?  Probably not, but if she went uggo now you all would throw such a hissy-fit.


Right now there is someone who made the call to port everything over to FXX who is about to find out that entertainment brands really don't have draw anymore.  The only brands in the world that actually do have any significant draw left at all are sports teams, booze brands, somehow Lady Gaga, and the WWF (I will never call it the WWE you panda bastards!).  Millennials were just blamed for killing the paper napkin industry because of some distorted idea that we give a shit about the environment and not that you people don't pay us enough in general. People are going to behave with associated price points and expenses playing a much stronger role in dictating behavior than it did to you baby boomers in the 80's and 90's.  So the price hike for the needed extra channels in cable packages is not going to be met with a "whatevs, fine, now let me get back to my skinny jeans and artesinal mustache wax because I have important Millennial things to do."  It's going to be more like a "WTF, hell no, you already suck and now I have to pay more? Eat a dick."  When all of a sudden the expected migration of viewers/customers doesn't happen, there is going to be someone over at FX going... "I don't get it" and that's gonna fuck a whole lot of shit up by causing a panic. Meanwhile in the back of the office that 29 year old they pay $18 an hour to fix all the spreadsheets on their own computer which they had to bring from home, is thinking, "Yeah I could have told you that shit wasn't going to work."


 The best laid plans can still mean that no one wants your bullshit.

I think I used the wrong word in the previous paragraph.  "Migration" isn't applicable.  This isn't an attempt to get consumers to migrate.  Migrate would imply leaving something behind for something else.  No this is just a situation where the providers are simply saying "Buy more stuff if you want to see these titles."  It would be like Barnes & Noble putting all the anticipated best sellers behind a turnstile and then charging customers admission to the section just to be able to buy whatever book at full SRP.  At least Costco gives you bulk pricing discounts for something like that.

While I don't think the expansion of channels is going to have an impact as damaging and negative as paywalls, it is going to mean that programs that are closer to modern sensibilities are going to be marginalized and programs that currently exist that are too smart for your parents are going to end up on life-support long before they otherwise would.  The day when media entertainment embraces more progressive and cerebral concepts, jumping across mediums that the old guard would have refused to even accept the possibility of, will now be longer in coming.

 Phrasing. Boom.


And before you start thinking "Oh, but they already announced they're going to be ending whatever show you're talking about and blah blah blah" just get fuck your face off because that's a moot point.

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